Outlaw Audio Speaker BLS BC User Manual

The Outlaw  
Bookshelf Loudspeakers  
BLS-B(C) Black (and Cherry)  
Owner’s Manual  
 
Owner’s Manual  
Setup Guide  
Unpacking  
Loudspeaker Rear Panel  
The carton and packing materials used in shipping your new speakers were  
specially designed to cushion them from the shocks and vibrations of shipping.  
We strongly suggest that you save the carton and packing materials to use if you  
move, or if the speakers ever need to be shipped back to us for any reason.  
To minimize the size of the carton in storage, you may wish to flatten it by  
carefully opening the top and bottom flaps and folding the carton flat. Pack-  
ing materials that cannot be collapsed should be saved along with the carton  
in a plastic bag.  
Boundary  
0
High  
Frequency  
+2dB  
0dB  
-2dB  
-2dB  
-4dB  
A
D
E
Contents  
After unpacking your new speakers, please confirm that the following items  
have been included.  
B
C
2 BLS-B(C) Black (or Cherry) Loudspeakers  
2 Black Metal Grills (pre-installed)  
Owner’s Manual  
If any of the above is missing from your shipment, please contact Outlaw Audio  
immediately at 866-OUTLAWS.  
Loudspeaker Controls and Connections  
A
Boundary Switch  
This three-position switch provides a (0dB, 2dB and 4dB) reduction in  
upper bass frequencies to maintain a linear response for wall or corner  
loaded speaker placements.  
Preparing the Speaker Wire for Installation  
High quality speaker wires are essential for optimal performance. We recom-  
mend the use of a heavy gauge (16 or heavier) oxygen-free multi-strand copper  
wire. For lengths over 25 feet, a heavier gauge of wire should be used. As with  
other gauge based conductors, the lower the number the heavier the gauge.  
B
C
D
E
High Frequency Speaker Binding Posts  
Use these or the low frequency terminals to connect the speaker to the  
amplifier.  
Low Frequency Speaker Binding Posts  
Use these or the high frequency terminals to connect the speaker to the  
amplifier.  
When purchasing wire, look for cabling that clearly marks polarity on one  
conductor. Often speaker wire manufacturers will use a single solid line or their  
logo on one side for this purpose. This will make connections easier later on.  
Most installers consider the marked conductor their “positive” lead.  
High Frequency Switch  
This three-position switch provides a (-2dB, 0dB, +2dB) treble compensa-  
tion for bright or heavily dampened listening environments.  
Since your Outlaw Bookshelf Loudspeakers offer true five-way binding posts you  
can use speaker wires that have terminated ends such as banana plugs, spades,  
or pins. When using spades, they must be compatible with 5/16 inch posts.  
Binding Post Jumpers  
These connect the two pairs of binding posts and should remain installed  
unless using a bi-wire or bi-amplify connection scheme.  
To prepare your non-terminated wire for installation, you will need  
to perform the following tasks:  
1. Split each end of the speaker wire in half leaving approximately two  
inches of “separate conductors” as shown below.  
Setup Guide  
ꢀ. Remove a half inch of insulation from each conductor, also shown  
below.  
Connecting To Your System  
3. Separately twist each stranded wire together ensuring that all four  
To get the maximum performance from your new Outlaw Loudspeaker system it  
must be properly connected, positioned properly within the room and configured  
to match your listening environment. There are three primary connection styles  
compatible with your Outlaw Loudspeakers. These include the standard one wire  
(per) speaker connection, bi-wiring which uses either a pair of speaker wires or a  
custom bi-wire cable and a single amplifier channel per speaker, or bi-amplifying  
which uses two speaker wires and two power amplifiers per speaker.  
leads are kept apart.  
1/2"  
2"  
The Outlaw Bookshelf Loudspeakers  
3
 
Owner’s Manual  
Setup Guide  
Option 1:  
Option ꢀ:  
Connecting to a system with single speaker wire.  
Connecting to a system in a bi-wire scheme.  
This is the most common way to connect an individual speaker to a power Some audiophiles prefer to use a bi-wire scheme when connecting their speakers  
amplifier or receiver. A standard 16 or 14 gauge speaker wire is used to join and amplifiers. While this connection type does not provide the added power of  
the amp and speaker together.  
a bi-amplified wiring scheme (described in the next section), it can be beneficial  
in reducing the amount of EMF (electromotive force) that the woofer generates  
on the more “voltage-sensitive” high frequency circuitry.  
CAUTION: To prevent damage to your amplifier or speakers and avoid  
the risk of electrical shock always disconnect the power to your receiver  
or amplifier when making any system connections.  
To connect your speakers using the bi-wiring option, carefully follow  
the steps below:  
To connect each speaker with a single speaker wire, carefully follow  
the steps below:  
1. Turn off all system components and unplug the receiver or  
amplifier.  
1. Turn off all system components and unplug the receiver or amplifier.  
ꢀ. Connect both pairs of speaker wire on one end by twisting the  
positive (marked) copper ends together as shown at right.  
ꢀ. Loosen one set of the Outlaw Loudspeaker’s binding posts.  
3. Repeat step 2 for the negative (unmarked) copper leads on the same  
NOTE: Be sure that the binding posts jumpers remain installed.  
end of the speaker wire, also shown at right.  
3. Insert the appropriate polarity wire through the postholes on the  
NOTE: Some speaker wire manufacturers offer a speaker wire  
specifically designed for bi-wire applications. With these wires, Steps  
2 and 3 are unnecessary.  
binding post.  
ꢁ. Carefully tighten the binding post until snug. Over tightening will  
strip the binding post and prevent a solid connection.  
ꢁ. Loosen your receiver or amplifier’s corresponding binding posts.  
5. Repeat steps 2-4 at the amplifier binding post with the opposite  
5. Insert the appropriate polarity wire through the postholes on the  
end of the speaker wire.  
amplifier’s binding post.  
NOTE: Remember that polarity must be maintained between speaker and  
amplifier, ie. positive terminal (red post) on speaker to positive terminal  
on power amplifier.  
Be sure to use the “double speaker wire” connection you have just  
created. The opposite end of this wire will have four leads, a pair for  
each set of speaker binding posts.  
CAUTION: Check terminal posts on both connections (speaker and ampli-  
fier) to ensure that loose copper strands have not been allowed to “short”  
the binding post pairs. Any loose strands that touch both the positive and  
negative terminal posts must be removed before powering up the amplifier.  
Failure to do so may result in damage to the amplifier or speaker.  
6. Carefully tighten the binding post until snug. Over tightening will  
strip the binding post and prevent a solid connection.  
7. Loosen both sets of the Outlaw Bookshelf Loudspeaker’s binding  
posts.  
8. Remove both binding posts jumpers.  
CAUTION: Failure to remove these jumpers using this connec-  
tion scheme will result in damage to your power amplifier and or  
speakers.  
Option 1: Standard Connection  
Left Speaker  
Right Speaker  
9. Select one speaker wire lead to connect to the high frequency binding  
posts.  
10. Insert the appropriate polarity wire through the postholes on the  
binding post.  
11. Carefully tighten the binding post until snug. Over tightening will  
strip the binding post and prevent a solid connection.  
Boundary  
High  
Boundary  
High  
Frequency  
Frequency  
0
-2dB  
-4dB  
+2dB  
0dB  
-2dB  
0
-2dB  
-4dB  
+2dB  
0dB  
-2dB  
1ꢀ. Repeat steps 9-11 for the low frequency binding posts.  
Jumpers  
remain in  
place  
NOTE: Remember that polarity must be maintained between speaker and  
amplifier, ie. positive terminal (red post) on speaker to positive terminal  
on power amplifier.  
CAUTION: Check terminal posts on both connections (speaker and ampli-  
fier) to ensure that loose copper strands have not been allowed to “short”  
the binding post pairs. Any loose strands that touch both the positive and  
negative terminal posts must be removed before powering up the amplifier.  
Failure to do so may result in damage to the amplifier or speaker.  
LEFT  
RIGHT  
Receiver/Amplifier  
Outlaw Audio  
 
Owner’s Manual  
Setup Guide  
Option 3:  
Option ꢀ: Bi-Wired Connection  
Connecting to a system in a bi-amplify scheme.  
Left Speaker  
Right Speaker  
Like the bi-wire scheme described above, a bi-amplified wiring scheme does  
reduce the amount of EMF on the speaker’s high frequency circuitry. However,  
in a bi-amplified wiring scheme, the user provides separate amplification for  
both sections (high frequencies and low frequencies) of the speaker.  
Jumpers  
removed  
Some audiophiles tend to prefer this method of connectivity as it ensures that  
the more “power hungry” woofers are not limited by the additional power  
demands of the high frequency portion of the speaker while still maintaining  
the EMF benefits of a bi-wire scheme.  
Boundary  
High  
Boundary  
High  
Frequency  
Frequency  
0
+2dB  
0
-2dB  
-4dB  
+2dB  
0dB  
-2dB  
-2dB  
-4dB  
0dB  
-2dB  
NOTE: In a bi-amplify scheme, it is necessary to use matching amplifiers  
for both high frequency and low frequency connections, otherwise an  
imbalance will occur between each portion of the speaker. This imbalance  
will negatively impact performance. Also, using the “A +B” terminals on  
a receiver does not offer an improved connection over using a single  
speaker wire from the “A” terminals. Separate amplifier channels are  
required to receive the benefits of bi-amplification.  
1. Turn off all system components and unplug the receiver/pre-amp  
LEFT  
RIGHT  
and amplifiers.  
ꢀ. Connect a Y-adapter to the corresponding pre-amp output on your  
processor.  
3. Connect the two amplifier channels you intend to use, one to each  
Receiver/Amplifier  
of the two outputs the Y-adapter has created.  
ꢁ. Loosen the corresponding binding posts on the power amplifier you  
plan to use for the high frequency portion of your Outlaw Bookshelf  
Loudspeakers.  
Option 3: Bi-Amplified Connection  
5. Insert the appropriate polarity wire through the postholes on the  
Left Speaker  
Right Speaker  
amplifier’s binding post.  
6. Carefully tighten the binding post until snug. Over tightening will  
strip the binding post and prevent a solid connection.  
7. Repeat steps 3-6 for the power amplifier you intend to use to drive the  
Jumpers  
removed  
low frequency portion of your Outlaw Bookshelf Loudspeakers.  
8. Loosen both sets of the Outlaw Loudspeaker’s binding posts.  
Boundary  
High  
Boundary  
High  
Frequency  
Frequency  
0
-2dB  
-4dB  
+2dB  
0dB  
-2dB  
0
-2dB  
-4dB  
+2dB  
0dB  
-2dB  
9. Remove both binding post jumpers.  
CAUTION: Failure to remove these jumpers using this connec-  
tion scheme will result in damage to your power amplifier and  
or speakers.  
10. Connect your “high frequency” amplifier to the high frequency binding  
posts on your Outlaw Loudspeaker by inserting the appropriate  
polarity wires through the postholes on the binding post.  
11. Carefully tighten the binding posts until snug. Over tightening will  
strip the binding post and prevent a solid connection.  
INPUT  
INPUT  
INPUT  
INPUT  
1ꢀ. Repeat steps 10-11 for the low frequency portion of your Outlaw  
Loudspeakers.  
NOTE: Remember that polarity must be maintained between speaker  
and amplifier, ie. positive terminal (red post) on speaker to positive  
terminal on power amplifier.  
Amplifiers  
CAUTION: Check terminal posts on both connections (speaker and ampli-  
fier) to ensure that loose copper strands have not been allowed to “short”  
the binding post pairs. Any loose strands that touch both the positive and  
negative terminal posts must be removed before powering up the amplifier.  
Failure to do so may result in damage to the amplifier or speaker.  
PRE OUT  
LEFT RIGHT  
Receiver/Pre-Amp/Processor  
The Outlaw Bookshelf Loudspeakers  
5
 
Owner’s Manual  
Notes on Speaker Placement  
These settings are:  
Notes on Speaker Placement  
The following suggestions should be adhered to as closely as possible. While each  
listening room imparts its own sonic compromises, these guidelines will help  
you achieve the greatest performance form your Outlaw Loudspeaker system.  
Open air placement  
The speaker is more than 24 inches away from all walls.  
Single wall placement  
The speaker is within 24 inches of a single wall.  
Corner placement  
The speaker is located within 24 inches of two walls.  
Placing your speakers at equal distances from the listening position, thus  
creating an “equilateral” triangle will help create an optimal stereo imag-  
ing environment. See diagram.  
The available settings allow you to tailor the behavior of your Outlaw Loud-  
speakers for optimal performance under most listening room conditions.  
Using the following guidelines, adjust each speaker according to its individual  
environment. Keep in mind that this setting can and should vary by speaker  
when necessary.  
Soundstage is directly affected by “toe-in”. Pointing the loudspeakers directly  
at the sweet spot creates the most accurate soundstage. See diagram.  
When the Outlaw Loudspeaker is no closer than 24 inches to any wall, the  
Boundary switch should be set to “0”. If the Outlaw Loudspeaker is within  
24 inches of a single wall, set the Boundary switch to “-2dB”. If the Outlaw  
Loudspeaker is corner loaded (within 24 inches of two different walls), use the  
“-4dB” boundary switch position.  
High Frequency Switch  
Each room imparts its own sonic signature to the signal that arrives at the  
listening position. In rooms with minimal wall treatments, significant glass (i.e.  
a large number of windows), hardwood or tile floors, the resulting sound may  
have an overemphasized high frequency response. This is typically character-  
ized as a slight edginess that may present itself in the form of listening fatigue.  
In these listening environments we recommend using the “-2dB” position on  
the Outlaw Loudspeaker’s High Frequency switch.  
However, room anomalies may require that a speaker be toed further in  
or out. Toeing a speaker out (adjusting the angle of the speaker outward  
including straight forward) will widen your soundstage. The opposite will  
occur when toeing a speaker in.  
In overly dampened rooms with wall-to-wall carpets, extensive absorptive wall  
coverings, acoustic panels, etc., you may find the high frequency response  
lacking. This could be observed as a dull or less detailed performance. In these  
listening environments, we recommend selecting the “+2dB” position on the  
Outlaw Loudspeaker’s High Frequency switch.  
Proximity to walls and corners will increase low frequency output. When  
placed too close this additional low frequency output may sound unnatural  
or bloated. Whenever possible place your speakers no closer than two feet  
to the nearest wall.  
Since most listening rooms are fairly well balanced, with a mix of dampening and  
reflective surfaces the “0dB” position will be optimal for the majority of users.  
External System Adjustments  
Setting the Outlaw Loudspeaker’s Controls  
Crossovers for use with powered subwoofers  
The Outlaw Bookshelf Loudspeakers have a low frequency output that rivals  
Boundary Compensation Switch  
Depending on the proximity of your Outlaw Loudspeaker(s) to a wall or corner, many larger speakers. As a standalone speaker they will provide a tight and  
you may find that certain upper bass frequencies sound boomy, or excessively true-to-source reproduction of your audiophile grade recordings. But for those  
hot. At these critical frequencies, this added energy manifests itself as “chesti- seeking that last octave of audibility you may wish to consider the addition of  
ness,” particularly in male voices. To compensate for these compromised, a powered subwoofer. Proper integration of sub and speaker begins with the  
but often-necessary speaker placements, the Outlaw Bookshelf Loudspeakers careful selection of the crossover.  
provide a custom Boundary Compensation Circuit.  
Some receivers and processors supply a series of crossover options to integrate  
While other manufacturers have recognized the importance of boundary your subwoofer. If you are using an Outlaw processor or receiver the optimal  
compensation circuitry, they often fall short in their implementation, opting setting is 60Hz.  
for a single “averaged” adjustment for all non-ideal speaker placements.  
For other systems, you will need to consider the Outlaw Loudspeaker’s +/-3dB  
After carefully calculating the effects of wall proximity and corner loading down point of 54Hz. Based upon the prevailing use of symmetrical fourth order  
on the Outlaw Loudspeakers, we have integrated a no-compromise Boundary networks in receivers and processors, we suggest choosing the closest crossover  
Compensation Circuit that includes different settings for each of the major point provided by your system that is equal to or greater than 60Hz.  
speaker placement locations.  
6
Outlaw Audio  
 
Owner’s Manual  
Specifications  
We recommend using a lint-free cloth to clean your speaker’s cabinets. If  
necessary you may moisten that cloth with plain water. Special care should  
be taken to avoid getting water on the dome tweeter or woofer. Do not use any  
other solvents or chemicals as damage may occur.  
Volume Level  
When available, match the levels of all of your speakers, including the Outlaw  
Loudspeakers, as described in your receiver or processor owner’s manual. We  
recommend using an SPL meter (such as Radio Shack part number 33-2050).  
When using the test tones, measure from the listening chair and set the meter  
to the 75 dB level. In order to accurately measure levels between channels use  
“C” weighting and the “slow” setting.  
Troubleshooting Guide  
PROBLEm: No output from the speakers  
Check to ensure that your amplifier is powered on.  
Surround Sound Considerations  
A great speaker has many characteristics. Most importantly, it should have a  
linear response, with a large soundstage and precision imaging while at the  
same time be capable of reproducing considerable dynamics without sounding  
Check to make sure your source (CD, DVD etc.) is actively outputting a  
signal.  
Check to ensure speaker wires are properly connected.  
strained. If these design goals are accomplished, the speaker will be at home PROBLEm: Amplifier shuts down at power up or during high  
both in music only and full in-home theater systems.  
volume playback  
Check for a shorted speaker wire connection. This is observed as speaker  
With the above in mind, we offer the following advice when integrating your  
Outlaw Bookshelf Loudspeakers in a 5.1, 6.1 or 7.1 surround sound system.  
wire that touches both the positive and negative (red and black) binding  
posts at the same time. This can occur at the amplifier or the speaker’s  
binding posts.  
Tweeter height should remain as close to even as possible between your  
front left, center and right channel speakers. This helps maintain “timbre”  
which is the characteristic of a sound that separates itself from other sounds  
of the same volume level and pitch.  
Check to make sure your speaker wires are connected properly.  
PROBLEm: Woofer or tweeter sounds “distorted”  
Check bass and treble controls and return them to flat.  
When a sound effect pans from one speaker to the next, you’ll want your  
speakers’ timbre to match as closely as possible. This will ensure that  
whatever instrument or sound effect you are hearing sounds the same,  
regardless of which speaker in your system it is emanating from.  
Reduce volume of playback as amplifier may be “clipping”  
Specifications  
When using “direct radiating” speakers, like the Outlaw Loudspeaker’s  
in the surround position, they should be placed just behind the listening  
position. While timbre remains very important, these speakers should be  
placed approximately 1-2 feet above the listener’s ears to create a more  
diffused sound field.  
SENSITIVITY  
87dB  
RATED AmPLIFIER POWER  
ImPEDANCE  
50-200watts  
8 Ohms  
Surround back channels, more commonly used in newer DD-EX ™ and  
FREqUENCY RESPONSE  
DRIVERS Tweeter  
54Hz-22kHz 3dB  
DTS-ES™ soundtracks should be placed at the same height as the sur-  
round channels. If you are using a pair of speakers in the surround back  
position, they should each be placed approximately 30 degrees off of the  
center axis. If only a single surround back speaker is used, it should be  
placed on center axis.  
1" Custom Silk Dome designed and  
manufactured with precision  
Scandanavian parts  
Woofer  
5-1/4" SEAS Driver with Diecast Magnesium  
basket, treated paper cone, low-loss rubber  
surround and 26mm CCAW voice coil.  
Today’s blockbuster movie soundtracks take advantage of a dedicated  
subwoofer channel called the LFE (Low Frequency Effects). For this  
reason, we advocate the used of a powered subwoofer like our LFM series  
subs. Placement of the subwoofer will depend on room acoustics, so you’ll  
want to consult with your subwoofer manufacturer for tips on getting the  
most from your sub. The Outlaw LFM series subwoofer manuals, which  
are available as a free download at www.outlawaudio.com, all share  
an excellent primer on subwoofer placement. We invite you to use that  
information to maximize your system’s performance.  
LINEAR COIL TRAVEL  
10mm p-p  
BOUNDARY COmPENSATION  
SWITCH  
0dB, -2dB, -4dB starting at 400Hz where it  
plateaus at 250Hz and remains flat to  
resonance  
HIGH FREqUENCY SWITCH  
+2dB, 0dB, -2dB starting at 4kHz and peaking  
at 20kHz  
DImENSIONS (HxDxW)  
12-1/8" x 10-15/16" (w/ grille) x 7-1/4"  
16.5 lbs  
Caring for your Speakers  
Exceptional efforts were taken during the design and manufacture of the Outlaw  
Bookshelf Loudspeakers so that they could provide you with a lifetime’s worth  
of music and movie reproduction. Proper care along the way will ensure that  
they always look as great as they sound.  
WEIGHT  
The Outlaw Bookshelf Loudspeakers  
7
 
Owner’s Manual  
Outlaw Audio Limited Warranty  
The Outlaw Audio 30-Day Satisfaction Guarantee  
This product is guaranteed to satisfy all your needs for a high performance  
bookshelf speaker system. If for any reason, you are not completely satisfied  
with it, please contact us at 866-OUTLAWA (688-5292) within 30 days of receipt  
of the unit and you will receive a return authorization.  
the packing (even after 30 days) so that if you ever move, the speakers will  
be adequately protected.  
If you decide to return the speakers, your only cost will be the original shipping  
charge. When your loudspeakers arrive, we will inspect them to insure that they  
were shipped back to us in original condition. Upon satisfactory inspection, we  
will issue a full credit for your original purchase price.  
Please save all of your packing material in that the speakers can get dama-  
mged in shipping without proper protection. We recommend that you keep  
Outlaw Audio Limited Warranty  
This warranty protects the owner of the Outlaw Bookshelf Loudspeakers  
(the PRODUCT) for five (5) years from the date of purchase.  
If your product needs service, please call Outlaw Audio Inc. at 866-OUT-  
LAWA (688-5292).  
This warranty covers all defects in material and workmanship with the  
following specific exceptions. These are:  
You will need to present the original bill of sale to establish the date of  
purchase. In the event that the proof of purchase cannot be established  
with the original receipt, the warranty period shall be determined by the  
earliest date of manufacture shown on the unit, provided that the serial  
number label has not been altered in any manner, or by our records  
relating to that serial number.  
• Damage caused by improper installation or adjustment  
• Damage caused by accident, unreasonable use or neglect  
• Damage from failure to follow instructions contained in this  
Owner’s Manual  
In the event that you wish to return your Outlaw speakers back to us, for  
any reason, please call to arrange for a Return Authorization Number.  
This will insure that your problem is discussed with a service technician  
who will determine if there is a quick solution to your problem.  
• Damage from the performance of repairs by someone not authorized  
by Outlaw Audio  
• Any unit on which the serial number has been defaced, modified,  
or removed  
Outlaw Audio shall not be liable for, in any way responsible for, any inci-  
dental or consequential damages of any kind. Some states do not allow  
limitations on how long an implied warranty lasts and/or do not allow the  
exclusion of incidental or consequential damages, therefore, the limita-  
tions and exclusions stated herein may not apply to you. This warranty  
gives you specific legal rights; and you may also have other rights which  
vary from state to state.  
• Damage occurring during shipment  
• Units which have been altered or modified in design, appearance  
or construction  
This warranty covers only the actual defects within the PRODUCT itself.  
IT DOES NOT cover costs of installation in (or removal from) a fixed  
installation, or normal set-up, claims based on any misrepresentation by  
the seller, or performance variations resulting from installation related  
circumstances such as signal quality, AC power or incompatibilities with  
speakers and/or other system components.  
THERE ARE NO WARRANTIES GIVEN BY OUTLAW AUDIO WHICH  
EXTEND BEYOND THE DESCRIPTION GIVEN HEREIN. ANY IMPLIED  
WARRANTIES OF FITNESS FOR PURPOSE SOLD, MERCHANTIABILITY,  
DESCRIPTION, QUALITY OR ANY OTHER MATTERS ARE LIMITED  
TO THE TERMS OF THE EXPRESSED LIMITED WARRANTY STATED  
HEREIN.  
During the warranty period, Outlaw Audio will, at its option, either repair  
the defect, or replace the defective product, or the defective parts, or com-  
ponents thereof at no charge to the owner for parts and labor covered by  
this warranty. If necessary repairs are not covered by this warranty, or if  
a unit is examined which is not in need of repair, you will be charged for  
the repairs and/or the examination. If non-warranted repairs are needed,  
we will notify you of the estimated cost and ask for your authorization to  
perform said repairs.  
Products are sold on the basis of specifications applicable at the time of  
sales. Outlaw Audio shall have no obligation to modify products once  
they have been sold.  
This warranty is applicable only in the United States.  
For applicability in other countries, please call Outlaw Audio.  
You must pay shipping charges incurred in getting your Product to the  
factory. We will pay the return shipping charges if the repairs are covered  
by the warranty. Please save the original shipping cartons as the unit  
MUST be returned in the original carton and packing.  
(Replacement cartons are available at a modest charge.)  
O u t l a w A u d i o  
8
Outlaw Audio  
 

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